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- Owing to the Absence
Owing to the Absence 4
- $1,200.00
- A figure bent in quiet contemplation, drawn in swift strokes of black ink on paper. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence 5
- $1,200.00
- A close-up portrait where dense ink blocks contrast with fragile, barely drawn features. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence 6
- $1,200.00
- A standing figure emerges from vertical streaks of black ink, grounded yet fragile. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence 7
- $1,200.00
- A portrait turned slightly away, its profile softened by sweeping ink washes. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence 8
- $1,200.00
- Hands and face coalesce from turbulent ink marks in this intimate study. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence 9
- $1,200.00
- A frontal portrait stares back from dense, velvety fields of black ink. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
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- Owing to the Absence
Owing to the Absence I
- $1,000.00
- Owing to the Absence I is an original 66 x 48 cm ink-on-paper portrait in which a face emerges through eruptions of black ink splatter. The gaze holds steady while the surface around it seems to burst and dissolve.
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- Owing to the Absence
Owing to the Absence II
- $1,000.00
- Owing to the Absence II is an original 66 x 48 cm ink-on-paper portrait streaked with drips and splatter. Rivulets of black ink run down through the face, giving the figure a sense of weather and passing time.
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- Owing to the Absence
Owing to the Absence III
- $1,000.00
- A gestural ink portrait from the Owing to the Absence series (2022–23), its fragmented face emerging from bold washes and splatters of black ink on paper.








