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    • Owing to the Absence
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      • Owing to the Absence

      • Owing to the Absence

      • $1,200.00
      • A haunting ink portrait from the Owing to the Absence series (2022–23), centered on one prominent, watchful eye rendered in black ink on paper.
      • Owing to the Absence
    • Owing to the Absence 10
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      • Owing to the Absence

      • Owing to the Absence 10

      • $1,200.00
      • A reclining figure stretches across the sheet in fluid, calligraphic ink lines. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 10
    • Owing to the Absence 11
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      • Owing to the Absence

      • Owing to the Absence 11

      • $1,200.00
      • Two overlapping profiles merge and separate in veils of black ink. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 11
    • Owing to the Absence 12
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      • Owing to the Absence

      • Owing to the Absence 12

      • $1,200.00
      • A portrait half-lost in shadow, one side rendered, the other abandoned to the paper. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 12
    • Owing to the Absence 13
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      • Owing to the Absence

      • Owing to the Absence 13

      • $1,200.00
      • A standing figure dissolving at its edges into drifting ink, caught mid-disappearance. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 13
    • Owing to the Absence 14
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      • Owing to the Absence

      • Owing to the Absence 14

      • $1,200.00
      • Black ink on paper from Bartosz Beda's Owing to the Absence series (2022–23). Measuring 77x56 cm (30x22 in), this work traces the fragile boundary between presence and absence.
      • Owing to the Absence 14
    • Artwork Acquired
      Owing to the Absence 15
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      • Owing to the Absence, Sold Artworks

      • Owing to the Absence 15

      • $1,200.00
      • Black ink on paper from the Owing to the Absence series (2022–23), 76x56 cm (30x22 in). This artwork has been sold and is kept here as a record.
      • Owing to the Absence 15
    • Owing to the Absence 16
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      • Owing to the Absence

      • Owing to the Absence 16

      • $1,200.00
      • Black ink on paper from the Owing to the Absence series (2022–23). At 76x56 cm (30x22 in), this piece layers fluid gestures into a haunting, near-figurative presence.
      • Owing to the Absence 16
    • Owing to the Absence 17
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      • Owing to the Absence

      • Owing to the Absence 17

      • $1,200.00
      • A visceral ink portrait from the Owing to the Absence series (2022–23), the sitter's features half-swallowed by pooling black ink on paper.
      • Owing to the Absence 17
    • Owing to the Absence 18
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      • Owing to the Absence

      • Owing to the Absence 18

      • $1,200.00
      • A brooding ink portrait from the Owing to the Absence series (2022–23), its half-lost visage surfacing through restless black ink on paper.
      • Owing to the Absence 18
    • Owing to the Absence 19
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      • Owing to the Absence

      • Owing to the Absence 19

      • $2,800.00
      • A large ink portrait from the Owing to the Absence series (2022–23), rendered in black ink on paper and mounted on a wood panel.
      • Owing to the Absence 19
    • Owing to the Absence 20
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      • Owing to the Absence

      • Owing to the Absence 20

      • $2,800.00
      • A commanding ink portrait from the Owing to the Absence series (2022–23), painted in black ink on paper and mounted on a wood panel.
      • Owing to the Absence 20
    • Owing to the Absence 21
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      • Owing to the Absence

      • Owing to the Absence 21

      • $2,800.00
      • A striking ink portrait from the Owing to the Absence series (2022–23), rendered in black ink on paper and mounted on a wood panel.
      • Owing to the Absence 21
    • Owing to the Absence 22
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      • Owing to the Absence

      • Owing to the Absence 22

      • $2,800.00
      • Ink on paper mounted on wood panel from the Owing to the Absence series (2022–23). 76x56 cm (30x22 in), presented with a substantial panel presence.
      • Owing to the Absence 22
    • Owing to the Absence 23
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      • Owing to the Absence

      • Owing to the Absence 23

      • $1,800.00
      • A large-scale black ink figure on paper from the Owing to the Absence series (2022–23). 105x75 cm (41.5x29.5 in) of urgent, gestural presence.
      • Owing to the Absence 23
    • Owing to the Absence 24
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      • Owing to the Absence

      • Owing to the Absence 24

      • $1,800.00
      • Black ink on paper figure from the Owing to the Absence series (2022–23). This 105x75 cm (41.5x29.5 in) work holds its subject in a charged, unstable stillness.
      • Owing to the Absence 24
    • Owing to the Absence 25
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      • Owing to the Absence

      • Owing to the Absence 25

      • $1,800.00
      • A 105x75 cm (41.5x29.5 in) ink-on-paper figure from the Owing to the Absence series (2022–23), where black ink twists the body into an expressive knot of emotion.
      • Owing to the Absence 25
    • Owing to the Absence 26
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      • Owing to the Absence

      • Owing to the Absence 26

      • $1,200.00
      • A compact 38x28 cm (15x11 in) ink on paper study from the Owing to the Absence series (2022–23), concentrated and quietly devastating.
      • Owing to the Absence 26
    • Owing to the Absence 27
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      • Owing to the Absence

      • Owing to the Absence 27

      • $650.00
      • Ink on paper from the Owing to the Absence series (2022–23). At 38x28 cm (15x11 in), an accessible entry into Beda's black-ink meditations on loss.
      • Owing to the Absence 27
    • Owing to the Absence 28
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      • Owing to the Absence

      • Owing to the Absence 28

      • $650.00
      • A small 30x23 cm (12x9 in) ink on paper work from the Owing to the Absence series (2022–23), drawn with swift, searching strokes of black ink.
      • Owing to the Absence 28
    • Owing to the Absence 29
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      • Owing to the Absence

      • Owing to the Absence 29

      • $650.00
      • Black ink on paper, 30x23 cm (12x9 in), from the Owing to the Absence series (2022–23) — a spare, evocative study in what ink alone can remember.
      • Owing to the Absence 29
    • Owing to the Absence 3
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      • Owing to the Absence

      • Owing to the Absence 3

      • $1,200.00
      • A solitary portrait, its features dissolving into gestural washes of black ink. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 3
    • Owing to the Absence 30
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      • Owing to the Absence

      • Owing to the Absence 30

      • $800.00
      • Owing to the Absence 30 is an original 41 × 39 cm ink-on-paper work built around a circular, meditative form in black ink. A compact, contemplative piece from Bartosz Beda's Owing to the Absence series.
      • Owing to the Absence 30
    • Owing to the Absence 31
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      • Owing to the Absence

      • Owing to the Absence 31

      • $800.00
      • Owing to the Absence 31 is an original 41 x 39 cm ink-on-paper work built around a circular, meditative ink form. Dense black washes orbit a quiet center, evoking gravity, absence, and return.
      • Owing to the Absence 31
    • Owing to the Absence 4
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      • Owing to the Absence

      • Owing to the Absence 4

      • $1,200.00
      • A figure bent in quiet contemplation, drawn in swift strokes of black ink on paper. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 4
    • Owing to the Absence 5
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      • Owing to the Absence

      • Owing to the Absence 5

      • $1,200.00
      • A close-up portrait where dense ink blocks contrast with fragile, barely drawn features. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 5
    • Owing to the Absence 6
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      • Owing to the Absence

      • Owing to the Absence 6

      • $1,200.00
      • A standing figure emerges from vertical streaks of black ink, grounded yet fragile. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 6
    • Owing to the Absence 7
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      • Owing to the Absence

      • Owing to the Absence 7

      • $1,200.00
      • A portrait turned slightly away, its profile softened by sweeping ink washes. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 7
    • Owing to the Absence 8
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      • Owing to the Absence

      • Owing to the Absence 8

      • $1,200.00
      • Hands and face coalesce from turbulent ink marks in this intimate study. From the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 8
    • Owing to the Absence 9
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      • Owing to the Absence

      • Owing to the Absence 9

      • $1,200.00
      • A frontal portrait stares back from dense, velvety fields of black ink. Part of the Owing to the Absence series, 2022–23; ink on paper, 77 × 56 cm.
      • Owing to the Absence 9
    • Owing to the Absence I
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      • Owing to the Absence

      • Owing to the Absence I

      • $1,000.00
      • Owing to the Absence I is an original 66 x 48 cm ink-on-paper portrait in which a face emerges through eruptions of black ink splatter. The gaze holds steady while the surface around it seems to burst and dissolve.
      • Owing to the Absence I
    • Owing to the Absence II
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      • Owing to the Absence

      • Owing to the Absence II

      • $1,000.00
      • Owing to the Absence II is an original 66 x 48 cm ink-on-paper portrait streaked with drips and splatter. Rivulets of black ink run down through the face, giving the figure a sense of weather and passing time.
      • Owing to the Absence II
    • Owing to the Absence III
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      • Owing to the Absence

      • Owing to the Absence III

      • $1,000.00
      • A gestural ink portrait from the Owing to the Absence series (2022–23), its fragmented face emerging from bold washes and splatters of black ink on paper.
      • Owing to the Absence III

Beda’s art has been widely interviewed and referenced for The Independend, Studio International, Expose Art Magazine, Creative Times, Radcliffe Times, A-N Magazine, Mastars at Axisweb, Arteon Art Magazine, Expose Magazine, Spokesman Review, BuzzFeed, Daily News and featured in The Guardian, The Telegraph and Money Week., NatWest, Inlander. Mentioned on BBC Radio 4 in February 2013 as ‘one to watch’. He now lives and works in the United States.

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